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Victorian Photographs: Julia Margaret Cameron - Annals of My Glass House
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30 November 2001
to 3 February 2002

National Gallery
of Victoria on Russell
285 Russell Street, Melbourne

Julia Margaret CAMERON - The dream - -
The photographs:
Madonnas and Angelic Children

Julia Margaret CAMERON
British, 1815–79
The dream, 1869
albumen silver photograph
24.0 x 30.5 cm
The Wilson Centre for Photography
97:5636

 

On other versions of this image Cameron inscribed, 'Methought I saw my late espoused saint'. This is a reference to the first line of the sonnet On his Deceased Wife (c. 1865) written by the poet John Milton after his wife's death:

"Methought I saw my late espoused saint
Brought to me like Alcestis, from the grave,
[ ... ]
And such as yet once more I trust to have
Full sight of her in Heaven without restraint,
Came vested all in white, pure as her mind;
Her face was veil'd, yet to my fancied sight
Love, sweetness, goodness, in her person shin'd
So clear, as in no face with more delight
But Oh! As to embrace me she inclin'd
I wak'd, she fled, and day brought back my night"

Mary Hillier is the sitter in this study. She is draped and veiled in white with lilies of the valley held to her chest. The figure represents the apparition of Milton's deceased wife as she appeared to him dressed in shining white. This print is signed, titled and dated 'April 1869' in Cameron's hand on the original mount. It is also inscribed 'Quite Divine' and signed by the painter, G. F. Watts.

 

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Introduction

 

The photographs

 

The artist

 

Visiting the exhibition

 

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