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30 November 2001 National Gallery |
The photographs: Famous Men and Fair WomenTo show the range of Cameron's photographic work, this exhibition has been presented in three discrete sections that encompass her major subject matter. This section includes many of Cameron's most celebrated portraits and takes its title from the first monograph on her work written by Roger Fry and her great niece, Virginia Woolf in 1926. In common with her sisters, Cameron actively sought out the company of the most notable men and women of the period and her models included the great writer Alfred, Lord Tennyson and astronomer and scientist Sir John Herschel. She also commandeered members of her staff, her family and even strangers she found walking near her house to sit for her camera. Cameron was especially drawn to photographing notable men of the period, hoping through her portraits to reveal something of the qualities that made them 'great'. The almost religious zeal with which she approached her creative task resulted in some remarkably expressive and direct photographs, most notably her portrait of her "beloved friend . . . Teacher and High Priest", Sir John Herschel. Cameron's approach here, as with many of her portraits, was simple: she reduced the background clutter and accessories often associated with portraits of the period, focusing instead on the head of the subject which fills the frame.
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Sappho (Mary Hillier), c. 1866 |
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Zoe, 1870 |
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Florence Fisher (After the manner of an old Italian picture), 1872 |
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Haidie, 1872 |
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Alethea (Alice Liddell), 1872 |
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Mrs Herbert Duckworth, 1872 |
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Julia Duckworth, 1867 |
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Mrs Herbert Fisher, 1868 |
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The sisters, c. 1870 |
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Mrs Ewen Cameron, c. 1874 |
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Margaret, daughter of Charles Norman, c. 1874 |
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Joachim, 1868 |
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Portrait of Henry Taylor, 1864 |
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Governor Eyre of Jamaica, c. 1868 |
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Charles Hay Cameron, 1864 |
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Henry Thoby Prinsep, 1865 |
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Valentine Cameron Prinsep, c. 1870 |
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Portrait of Charles Lloyd Norman, c. 1874 |
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Dejatch Alamayou, 1868 |
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