Francisco GOYA y Lucientes

Born
30 Mar 1746 Fuendetodos, Aragon, Spain
Died
16 Apr 1828 Bordeaux, Aquitaine, France
Nationality
Spanish

 (145 works)

  • Carnival folly
    Title
    Carnival folly
    Production date
    (c. 1819-1824)
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, aquatint, lavis, burnisher, drypoint and burin
    Accession number
    P23.14-1981
    Credit Line
    Felton Bequest, 1981
  • Might not the pupil know more?
    Title
    Might not the pupil know more?
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, aquatint and burin printed in sepia ink
    Accession number
    P1.37-1976
    Credit Line
    Felton Bequest, 1976
  • When day breaks, we will be off
    Title
    When day breaks, we will be off
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, burnished aquatint and burin printed in sepia ink
    Accession number
    P1.71-1976
    Credit Line
    Felton Bequest, 1976
  • Blow
    Title
    Blow
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, aquatint, drypoint and burin printed in sepia ink
    Accession number
    P1.69-1976
    Credit Line
    Felton Bequest, 1976
  • Nanny's boy
    Title
    Nanny's boy
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching and burnished aquatint printed in sepia ink
    Accession number
    P1.4-1976
    Credit Line
    Felton Bequest, 1976
  • Neither more nor less
    Title
    Neither more nor less
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, burnished aquatint, drypoint and burin printed in sepia ink
    Accession number
    P1.41-1976
    Credit Line
    Felton Bequest, 1976
  • The shamefaced one
    Title
    The shamefaced one
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching and aquatint printed in sepia ink
    Accession number
    P1.54-1976
    Credit Line
    Felton Bequest, 1976
  • Nobody knows himself
    Title
    Nobody knows himself
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching and burnished aquatint printed in sepia ink
    Accession number
    P1.6-1976
    Credit Line
    Felton Bequest, 1976
  • The men in sacks
    Title
    The men in sacks
    Production date
    (c. 1819-1824); 1864 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, aquatint, lavis, burnisher, drypoint and burin
    Accession number
    P23.8-1981
    Credit Line
    Felton Bequest, 1981
  • It is better to be lazy
    Title
    It is better to be lazy
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, burnished aquatint and burin printed in sepia ink
    Accession number
    P1.73-1976
    Credit Line
    Felton Bequest, 1976
  • It is nicely stretched
    Title
    It is nicely stretched
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, burnished aquatint and burin printed in sepia ink
    Accession number
    P1.17-1976
    Credit Line
    Felton Bequest, 1976
  • The kidnapping horse
    Title
    The kidnapping horse
    Production date
    (c. 1819-1824); 1864 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, burnished aquatint and drypoint
    Accession number
    P23.10-1981
    Credit Line
    Felton Bequest, 1981
  • There it goes
    Title
    There it goes
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, aquatint and drypoint printed in sepia ink
    Accession number
    P1.66-1976
    Credit Line
    Felton Bequest, 1976
  • There they go plucked
    Title
    There they go plucked
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, burnished aquatint and drypoint printed in sepia ink
    Accession number
    P1.20-1976
    Credit Line
    Felton Bequest, 1976
  • Where is mother going?
    Title
    Where is mother going?
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, aquatint and drypoint printed in sepia ink
    Accession number
    P1.65-1976
    Credit Line
    Felton Bequest, 1976
  • And so was his grandfather
    Title
    And so was his grandfather
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    aquatint printed in sepia ink
    Accession number
    P1.39-1976
    Credit Line
    Felton Bequest, 1976
  • Folly of fear
    Title
    Folly of fear
    Production date
    (c. 1819-1824); 1864 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching, burnished aquatint and drypoint printed in sepia ink
    Accession number
    P23.2-1981
    Credit Line
    Felton Bequest, 1981
  • Is there no one to untie us?
    Title
    Is there no one to untie us?
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching and burnished aquatint printed in sepia ink
    Accession number
    P1.75-1976
    Credit Line
    Felton Bequest, 1976
  • Well-known folly
    Title
    Well-known folly
    Production date
    1816-1823; 1877 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching and aquatint in dark umber ink
    Accession number
    P1-1983
    Credit Line
    Felton Bequest, 1982
  • Be quick, they are waking up
    Title
    Be quick, they are waking up
    Production date
    (1797-1798); 1799 {published}
    Artist/Maker
    Francisco GOYA y Lucientes
    Medium
    etching and burnished aquatint printed in sepia ink
    Accession number
    P1.78-1976
    Credit Line
    Felton Bequest, 1976