| Img |
Title |
Date |
Artist |
Medium |
Acc # |
 |
Brute folly |
1816-1823; 1877 {published} |
Francisco GOYA y Lucientes |
etching and aquatint in dark umber ink |
P3-1983 |
 |
They play another with the cape in an enclosure |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.4 |
 |
A picador is unhorsed and falls under the bull |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and drypoint |
1998.255.26 |
 |
The unlucky death of Pepe Illo in the ring at Madrid |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.33 |
 |
Clear folly |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.15-1981 |
 |
The famous Martincho places the 'banderillas' playing the bull with the movement of his body |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.15 |
 |
Origin of the harpoons or banderillas |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and burin |
1998.255.7 |
 |
Another way of hunting on foot |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.2 |
 |
The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and burin |
1998.255.28 |
 |
Loyalty |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.17-1981 |
 |
The same man throws a bull in the ring at Madrid |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.16 |
 |
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.17 |
 |
The Cid Campeador spearing another bull |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and burin |
1998.255.11 |
 |
Poor folly |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.11-1981 |
 |
The men in sacks |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.8-1981 |
 |
The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open country |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.3 |
 |
General folly |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.9-1981 |
 |
The celebrated picador Fernando del Toro draws the fierce beast on with his pique |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.27 |
 |
Margarita de Austria |
1778 |
Francisco GOYA y Lucientes; Diego VELÁZQUEZ (after) |
etching and drypoint |
1995.42 |
 |
Dreadful events in the front rows of the ring at Madrid, and death of the mayor of Torrejon |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, lavis, drypoint and burin |
1998.255.21 |