Francisco GOYA y Lucientes

Born
30 Mar 1746 Fuendetodos, Aragon, Spain
Died
16 Apr 1828 Bordeaux, Aquitaine, France
Nationality
Spanish

 (145 works)

Img Title Date Artist Medium Acc #
Carnival folly Carnival folly (c. 1819-1824) Francisco GOYA y Lucientes etching, aquatint, lavis, burnisher, drypoint and burin P23.14-1981
Might not the pupil know more? Might not the pupil know more? (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint and burin printed in sepia ink P1.37-1976
When day breaks, we will be off When day breaks, we will be off (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint and burin printed in sepia ink P1.71-1976
Blow Blow (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint, drypoint and burin printed in sepia ink P1.69-1976
Nanny's boy Nanny's boy (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.4-1976
Neither more nor less Neither more nor less (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint, drypoint and burin printed in sepia ink P1.41-1976
The shamefaced one The shamefaced one (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and aquatint printed in sepia ink P1.54-1976
Nobody knows himself Nobody knows himself (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.6-1976
The men in sacks The men in sacks (c. 1819-1824); 1864 {published} Francisco GOYA y Lucientes etching, aquatint, lavis, burnisher, drypoint and burin P23.8-1981
It is better to be lazy It is better to be lazy (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint and burin printed in sepia ink P1.73-1976
It is nicely stretched It is nicely stretched (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint and burin printed in sepia ink P1.17-1976
The kidnapping horse The kidnapping horse (c. 1819-1824); 1864 {published} Francisco GOYA y Lucientes etching, burnished aquatint and drypoint P23.10-1981
There it goes There it goes (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint and drypoint printed in sepia ink P1.66-1976
There they go plucked There they go plucked (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, burnished aquatint and drypoint printed in sepia ink P1.20-1976
Where is mother going? Where is mother going? (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching, aquatint and drypoint printed in sepia ink P1.65-1976
And so was his grandfather And so was his grandfather (1797-1798); 1799 {published} Francisco GOYA y Lucientes aquatint printed in sepia ink P1.39-1976
Folly of fear Folly of fear (c. 1819-1824); 1864 {published} Francisco GOYA y Lucientes etching, burnished aquatint and drypoint printed in sepia ink P23.2-1981
Is there no one to untie us? Is there no one to untie us? (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.75-1976
Well-known folly Well-known folly 1816-1823; 1877 {published} Francisco GOYA y Lucientes etching and aquatint in dark umber ink P1-1983
Be quick, they are waking up Be quick, they are waking up (1797-1798); 1799 {published} Francisco GOYA y Lucientes etching and burnished aquatint printed in sepia ink P1.78-1976