| Img |
Title |
Date |
Artist |
Medium |
Acc # |
 |
What one does to another |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin printed in sepia ink |
P1.77-1976 |
 |
Yes he broke the pot |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
etching, aquatint and drypoint printed in sepia ink |
P1.25-1976 |
 |
There it goes |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
etching, aquatint and drypoint printed in sepia ink |
P1.66-1976 |
 |
There they go plucked |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and drypoint printed in sepia ink |
P1.20-1976 |
 |
Be quick, they are waking up |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
etching and burnished aquatint printed in sepia ink |
P1.78-1976 |
 |
And so was his grandfather |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
aquatint printed in sepia ink |
P1.39-1976 |
 |
Pretty teachings |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and burin printed in sepia ink |
P1.15-1976 |
 |
Tantalus |
(1797-1798); 1799 {published} |
Francisco GOYA y Lucientes |
etching and burnished aquatint printed in sepia ink |
P1.9-1976 |
 |
The Moors make a different play in the ring, calling the bull with their burnous |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and drypoint |
1998.255.6 |
 |
The way in which the ancient Spaniards hunted bulls on horseback in the open country |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and drypoint |
1998.255.1 |
 |
Poor folly |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.11-1981 |
 |
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.24 |
 |
A picador is unhorsed and falls under the bull |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and drypoint |
1998.255.26 |
 |
The famous Martincho places the 'banderillas' playing the bull with the movement of his body |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.15 |
 |
The kidnapping horse |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint and drypoint |
P23.10-1981 |
 |
Merry folly |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.12-1981 |
 |
The men in sacks |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching, aquatint, lavis, burnisher, drypoint and burin |
P23.8-1981 |
 |
Charles V spearing a bull in the ring at Valladolid |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching, burnished aquatint, drypoint and burin |
1998.255.10 |
 |
Flying folly |
(c. 1819-1824); 1864 {published} |
Francisco GOYA y Lucientes |
etching and aquatint printed in sepia ink |
P23.5-1981 |
 |
Mariano Ceballos, alias The Indian, kills the bull from his horse |
(c. 1815-1816); 1816 {published} |
Francisco GOYA y Lucientes |
etching and burnished aquatint |
1998.255.23 |