Medium
oil on canvas
Measurements
109.0 × 132.0 cm
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 1949
Gallery location
Late 19th & early 20th Century Paintings & Decorative Arts Gallery
Level 2, NGV International
About this work
Siesta belongs to Pierre Bonnard’s ‘realist’ period, during which he painted frank portraits documenting his relationship with his model and muse Marthe Boursin while exploring the new possibilities offered by photography. Bonnard took a sequence of photographs of Marthe at their apartment when sunlight flooded their bedroom. Siesta relates to those images, but not slavishly so, as Marthe’s pose has been reconfigured to evoke the Borghese Hermaphrodite, a famously erotic sculpture in the Louvre. Siesta was well known among Paris’s literary and artistic circles and was once owned by Gertrude Stein.
Inscription
inscribed in ochre paint l.c.r.: Bonnard
Accession Number
2053-4
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited
Subjects (general)
Human Figures Interiors
Subjects (specific)
bedcovers bedrooms dog (species) nudes (representations) repose (activity) sleeping wallpapers women (female humans)
Provenance
Acquired from the artist by Ambroise Vollard (1866–1939) (dealer-collector), Paris, before November 1905; collection of Gertrude Stein (1874–1946) and Leo Stein (1872–1947), Paris, after November 1905 until 1907; exchanged (for a Renoir) with Ambroise Vollard, Paris, 1907; with Galerie Bernheim-Jeune (dealer), Paris, by 1914; collection of Sir Kenneth Clark (1903–83), Upper Terrace House, Hampstead, London, until (c. 1943); collection of Mrs S. Kaye, Cookham-on-Thames, Berkshire, by 1943/47–1949; with Lefevre Gallery (dealer), London, 1949; from where purchased, on the advice of A. J. L. McDonnell, for the Felton Bequest, 1949.
Exhibited: Salon d’Automne, Paris, 1905, no. 152 as Sommeil; Picasso and his contemporaries, Lefevre Gallery, London, 1943, no. 3; Bonnard and his French contemporaries, Lefevre Gallery, London, June-July 1947, no 10 as L’Atelier de L’Artist lent by Mrs S. Kaye, England; Bonnard, Museum of Modern Art, New York and Cleveland Museum of Art, 1948, no. 26, lent by Mrs S. Kaye, England.
Frame
Reproduction, 1986, based on photographs from 1906