Country child continues Drysdale's preoccupation with the lone female figure in the outback landscape. Firmly placed in a desolate wasteland suggested by the stark trees, barren mountain range and arid earth, Drysdale's country girl holds a small potted plant. This small splash of greenery, held tightly with both hands, provides a remarkable contrast and element of hope in the uncompromising surrounds.
Country child was owned by Colonel William Quasha, a former American officer whose collection of contemporary Australian art also included Drysdale's Tree form (1945).1
1 Tree form (1945), oil on canvas, 61.0 ¥ 76.2 cm, private collection.
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