Australia, <em>Evening dress</em> c. 1805; Flamingo Park, <em>Wattle dress and hat</em> 1978; House of Stripes, <em>Silver</em> <em>dress</em> 1966; Gavin Brown, <em>Indian snakes and ladders</em> <em>outfit</em> 1985; Magg, <em>Evening outfit</em> c. 1974; Katie Pye, <em>The party</em> 1980; La Petite, <em>Evening dress</em> c. 1960; Toni Maticevski, <em>Dali goddess</em> 2007; Romance Was Born, <em>Rainbow tartan feather suit</em> 2015; Bright & Hitchcocks, <em>Day dress</em> 1865–70<br/> Photo: Virginia Dowzer and Bronwyn Kidd<br/> © National Gallery of Victoria

200 Years of Australian Fashion

The Ian Potter Centre: NGV Australia, Fed Square

Ground Level, Temporary Exhibitions

5 Mar 16 – 31 Jul 16

At The Ian Potter Centre: NGV Australia, Federation Square

Over 120 works from more than ninety designers are presented in this exhibition – the first major survey of Australian fashion to be undertaken in this country. Since settlement, Australian fashion has been shaped by geographic, seasonal and cultural variants, and defined by colloquial vernacular. In every era, Australian designers have consciously defined the character of how we dress according to local terms of reference. Even today, Australian style can be understood as the by-product of independence and impertinence. From the early dressmaking establishments of Brisbane to the mid-century salons of Collins Street, to the contemporary studios by Bondi’s beaches, 200 Years of Australian Fashion traverses over two centuries of fashion design in Australia.

Staged across four large galleries, 200 Years of Australian Fashion celebrates Australia’s unique voice and impact on the fashion industry internationally, showcasing the work of contemporary designers such as Dion Lee, Ellery, Romance Was Born and Toni Maticevski alongside key designs from the past 200 years, including exquisite examples of historic design.

200 Years of Australian Fashion includes outfits drawn from the collections of the National Gallery of Victoria, the Museum of Applied Arts and Sciences, Sydney and other key collections, as well as a number of essential private loans. The exhibition also includes multimedia footage and interviews, photographs and works on paper. A fully illustrated catalogue accompanies the exhibition.

The NGV presents 200 Years of Australian Fashion as part of the Cultural Program of the Virgin Australia Melbourne Fashion Festival, which celebrates its 20th Festival in 2016.

Program Highlights
The NGV presents a diverse range of programs for 200 Years of Australian Fashion, including opening weekend pop-up design talks and a symposium exploring the question, what is Australian fashion? Curators, designers, practitioners and academics will actively engage audiences in programs throughout the exhibition period including design talks, curator’s perspectives, designer-led workshops, a discussion series and intimate behind the scenes: Fashion Collection sessions.

Exhibition labels

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Select Works

(left to right)
Australia, Evening dress c. 1805; Flamingo Park, Wattle dress and hat 1978; Gavin Brown, Indian snakes and ladders outfit 1985; Magg, Evening outfit c. 1974; Katie Pye, The party 1980; La Petite, Evening dress c. 1960; Toni Maticevski, Dali goddess 2007; Bright & Hitchcocks, Day dress 1865–70
Photo: Virginia Dowzer and Bronwyn Kidd
© National Gallery of Victoria
House of Stripes, Melbourne (fashion house); Peter Langham (designer)
Silver dress 1966
synthetic fibre
(a) 90.5 cm (centre back), 46.5 cm (waist, flat) (dress)
(b) 2.5 x 151.0 cm (belt)
National Gallery of Victoria, Melbourne
Gift of Jane England, 2015
Photo: Virginia Dowzer and Bronwyn Kidd
© House of Stripes
Romance Was Born, Sydney (fashion house); Anna Plunkett (designer); Luke Sales (designer)
Rainbow tartan feather suit, 2015 spring, Coo-ee couture collection
silk, plastic (sequins), feathers (ostrich)
73.0 cm (centre back), 69.0 cm (sleeve length) (shirt)
34.0 cm (waist, flat), 70.0 cm (inner leg) (trousers)
National Gallery of Victoria, Melbourne
Purchased, NGV Supporters of Fashion and Textiles, 2015
Photo: Virginia Dowzer and Bronwyn Kidd
© Romance Was Born
Magg, Melbourne (fashion house); Zara Holt (designer)
Evening outfit c. 1974
silk, cotton, nylon, viscose rayon
(a) 138.0 cm (centre back), 28.0 cm (waist, flat) (dress)
(b) 12.5 x 71.0 cm (cummerbund)
(c) 101.0 cm (centre back), 28.0 cm (waist, flat) (petticoat)
(d) 98.0 cm (centre back), 28.0 cm (waist, flat) (petticoat)
National Gallery of Victoria, Melbourne
Gift of Carolyn Fels, 1997 (1997.439.a-d)
Photo: Virginia Dowzer and Bronwyn Kidd
© Magg
Bright & Hitchcocks, Geelong, Victoria (manufacturer and retailer)
Day dress 1865–70
silk, glass, baleen
(a) 38.5 cm (centre back), 26.5 cm (waist, flat) (bodice)
(b) 188.0 cm (centre back), 27.0 cm (waist, flat) (skirt)
(c) 46.0 x 62.0 cm (sash)
National Gallery of Victoria, Melbourne
Gift of Miss Bell, 1973 (D243.a-c-1973)
Photo: Virginia Dowzer and Bronwyn Kidd
© National Gallery of Victoria
Unknown, Australia
Evening dress c. 1805
cotton (Indian muslin), silver (thread), silk (tape), pearl (button)
104.0 cm (centre back), 20.4 cm (sleeve length)
National Trust of Australia, New South Wales
Gift of Miss H. Buchanan, Observatory Hill Collection (75161)
Photo: Virginia Dowzer and Bronwyn Kidd
© National Trust of Australia
(left to right)
Plain Jane, Melbourne (fashion house); Gavin Brown (designer)
Indian snakes and ladders outfit 1985
screenprinted cotton, metal, plastic, wood
(a) 109.0 cm (centre back), 61.0 cm (sleeve length) (frock shirt)
(b) 114.0 cm (outer leg), 41.0 cm (waist, flat) (pants)
(c) 52.0 x 20.5 x 4.5 cm (necklace)
National Gallery of Victoria, Melbourne
Purchased, NGV Foundation, 2009 (2009.15.a-c)
Photo: Virginia Dowzer and Bronwyn Kidd
Katie Pye Studio, Sydney (fashion house); Katie Pye (designer)
The party 1980
cotton, metal, synthetic polymer paint
(a) 63.0 cm (centre back), 44.0 cm (sleeve length) (jacket)
(b) 78.3 cm (outer leg), 33.0 cm (waist, flat) (trousers)
National Gallery of Victoria, Melbourne
Gift of the artist, 2006 (2006.440.a-b)
Photo: Virginia Dowzer and Bronwyn Kidd
© Plain Jane; © Katie Pye Studio