Made in a Louis XIV style, this is one of a number of Chapman frames on paintings by Streeton in Australian collections.1 The frame represents one of a series of four-foot square formats used by Streeton in the NGV. The frames were made by different framers and started with ‘The purple noon’s transparent might,’ 1896 (modified by John Thallon, 12 ins. wide), and Frosty morn, 1901 (a11-1986) (currently in a reproduction of a Thallon frame, in a conventional classical revival style). The Sydney Harbour frame is robustly made and imposing in scale while retaining a decorative quality somewhat removed from Australian frames of the 1890s. The picture was painted in Sydney in 1907 but it is likely this frame was made in London for exhibition at the Royal Academy in May 1908.