Collection Online

The plain of Gennevilliers, yellow fields
(La plaine de Gennevilliers, champ jaunes)
(1884)

Medium
oil on canvas
Measurements
(65.9 × 81.7 cm)
Accession Number
2011.289
Department
International Painting
Credit Line
National Gallery of Victoria, Melbourne
Felton Bequest, 2011
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Ms Carol Grigor through Metal Manufactures Limited
Gallery location
Late 19th & early 20th Century Paintings & Decorative Arts Gallery
Level 2, NGV International
Provenance

Gift of the artist to Emile Billard, Le Havre, France, 1884; his collection until c. 1894; thence by descent to Mme Billard, Le Havre, France; thence by descent, remaining with the Billard family and descendants, until 2008; included in the Impressionist and Modern art evening sale, Christie’s, London, 4 February 2008, no. 17; from where purchased by a private collector, 2008; private collection, until 2011; by whom offered for purchase through Hazlitt, Gooden and Fox (dealer), London, 2010; purchased for the Felton Bequest, 2011.



Physical description
2 hooks removed and replaced with d-rings. Hooks stored in NGV/I/UB/C1/Crate Store Safe/A1/D. 15/04/10 CWatts.

Colourmen

Colourman
DUBUS
Location
Right of reverse of canvas
Transcription
.../DUBUS/....
Medium
Ink stencil
More information
www.brooklynmuseum.org

Frame

Gustave CAILLEBOTTE
The plain of Gennevilliers, yellow fields (1884)
Framemaker
Reproduction - commissioned by the NGV
Date
2011
Materials

Timber and gold leaf

Gustave CAILLEBOTTE
The plain of Gennevilliers, yellow fields (1884)
About

The plain of Gennevilliers, yellow fields (1884) was acquired in 2011 with a recently constructed reproduction frame in a late nineteenth century classical revival style.
Soon after the painting arrived a proposal was made for re-presenting the picture before it was put on display.
Various re-framing possibilities were put forward. The frame chosen was in the manner of frames designed by Edgar Degas, a fluted cushion frame, gilded and distressed.
Though this type of frame was more commonly associated with portraits, it was seen to favourably reflect an abstract quality in the picture without over emphasising the development of space in the landscape.
The frame was made in London and fitted to the painting in May 2011.