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George Stubbs
English 1724-1806
A lion attacking a horse c. 1765
oil on canvas
69.0 x 100.1 cm
Felton Bequest, 1949

 


 
Benjamin Green, mezzotinter
English 1739-98
George Stubbs (after)

English 1724-1806
The lion and the horse 1769
mezzotint with engraving
42.0 x 55.0 cm (image), 46.5 x 58.2 cm (sheet)
Purchased, 1953

 



François Boucher
French 1703-1770
The enjoyable lesson 1748 (detail)
oil on canvas
92.5 x 78.6 cm
Felton Bequest, 1982

 

 



René Gaillard, engraver
French 1719-1790
François Boucher (after)

French 1703-1770
The enjoyable lesson 1758 (detail)
engraving and etching
43.6 x 35.7 cm (image), 49.7 x 37.5 cm (plate),
51.0 x 38.8 cm (sheet)
Gift of an anonymous donor, 1982

 

Picture to Print
Reproductive prints in the NGV Collection

13 October 2006 to 25 March 2007
Robert Raynor Gallery, Ground Level
Admission Free

In the four centuries before photography was invented, knowledge of art was circulated primarily through prints. Paintings, sculpture, decorative arts, frescoes, drawings and watercolours were frequently best known via prints that they inspired. Numerous artists such as Raphael, Rubens and Turner employed this form of visual communication to disseminate their art. An expansive print industry flourished until the nineteenth century when reproductive prints (prints after other works of art) came to be regarded as secondary when compared with 'original' prints (prints produced solely in that medium). This distinction overlooked the skill and artistic input of the printmakers and the huge impact such prints had on the development of Western art.

This exhibition explores elements of the fascinating history of reproductive printmaking from the sixteenth to the late nineteenth centuries. Selected from the NGV collection, Picture to Print takes as its focus paintings and drawings from the collection by Parmigianino, Boucher, Highmore, Stubbs and Turner, exhibited together with prints they inspired.

NGV: Art like never before