Top Arts VCE 1999
National Gallery of Victoria on Russell
  Exhibitors Profiles Erika Wells
Erika WellsPage1234
  Exhibited Artwork Interview  
 

Censored red (detail)

Censored red (detail)
two works: 152.5 x 183.0 cm
each tulle, fabric, oil and dry pastels, sythetic polymer paint, ink, collage

Eltham High School, Eltham

NGV: Erica, what are you doing this year?

E: I'm doing Creative Arts at the University of Melbourne. It's a VCA course, but it's based at Melbourne and it's a course that crosses over visual and performing arts. That's why I took it on, so I could keep up all the drama I did in VCE whilst also keeping up my visual arts. I could maintain those subjects  - media, film studies, photography, studio arts, art, drama, literature — you could keep up doing that course.


NGV: Sounds exciting. Did you find it difficult to find something to work on at the beginning of last year?

E: I looked for a theme that was appropriate to my status as a developing artist. I felt it was really important to have good subject matter – subject matter that conveyed my message. I didn't want to rely completely on the technical stuff – the technical aspects of making a painting. I always wanted to work on myself as in self-portraiture, but it was hard deciding if I could pull that off – to get the message I wanted across and produce a good piece of art. At first it was difficult to make a final decision. After lots of trial and error, I decided to concentrate on the female body, as in my own. 

Support material 1

Support material 1

NGV: Having decided upon that as a theme, did you have any particular artist that influenced you?

E: Yes. I was strongly influenced by Cindy Sherman. In the beginning I saw a documentary on Cindy Sherman and that was how I came to want to explore self-portraiture on a photographic basis and then from that I took it to my painting. So she had a strong influence on me. In her work she liked to dress herself up and things like that. In my work it's evident where I have wings on my body as I'm exploring different kinds of characters for myself. While maintaining strong relevant issues such as censorship, which I've explored through the white tape. Brett Whiteley was always one that influenced me for figurative drawings with his sketchy unfinished pastel type drawings. These elements can be seen in my work. I linked the see-through bits with strong black lines. I distorted the body so it was not completely realistic.

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