TOP ARTS
VCE 2007
27 March to 9 June 2008
Admission free
Fiona Coath
Eltham College of Education,Research
Fiona Coath
Untitled.jpg 2007
computer monitor, enamel paint, synthetic polymer paint, oil paint, paper, wood, fibre-tipped pen, coloured pencils
42.0 x 36.7 x 42.5 cm
Eltham College of Education,Research
I explored the relationship between traditional art practices and digital art, specifically how digital rendering arose from traditional art forms. I examined six digital art programs or tools, and the corresponding traditional materials including spray paint, collage, oil paint, coloured pencils, synthetic polymer paint and fine-liner. The imitation of pixels, using media such as cross-stitch, plastic beads and wooden blocks in my developmental work, symbolised the relationship between the techniques. Placing the works in monitors further connected and framed the imagery within the digital environment.
Untitled.jpg 2007
computer monitor, enamel paint, synthetic polymer paint, oil paint, paper, wood, fibre-tipped pen, coloured pencils
42.0 x 36.7 x 42.5 cm
Eltham College of Education,Research
I explored the relationship between traditional art practices and digital art, specifically how digital rendering arose from traditional art forms. I examined six digital art programs or tools, and the corresponding traditional materials including spray paint, collage, oil paint, coloured pencils, synthetic polymer paint and fine-liner. The imitation of pixels, using media such as cross-stitch, plastic beads and wooden blocks in my developmental work, symbolised the relationship between the techniques. Placing the works in monitors further connected and framed the imagery within the digital environment.
