Preserving the past, enriching the future
Hugh Williamson’s legacy

Key works

  • Les WALKLING
The fragility of goodness 1988 

no. 4 from the Images for a conversation series 1988
gelatin silver photograph
86.0 x 86.3 cm (image)


National Gallery of Victoria, Melbourne
Purchased through The Art Foundation of Victoria with the assistance of The Hugh D. T. Williamson Foundation, Founder Benefactor, 1992
PH112-1992


© Les Walkling

    Les WALKLING
    The fragility of goodness 1988
    no. 4 from the Images for a conversation series 1988
    gelatin silver photograph
    86.0 x 86.3 cm (image)
    National Gallery of Victoria, Melbourne
    Purchased through The Art Foundation of Victoria with the assistance of The Hugh D. T. Williamson Foundation, Founder Benefactor, 1992
    PH112-1992
    © Les Walkling

  • Arthur STREETON
Princess & 'Burke & Wills' 1889 


oil on wood panel
21.5 x 16.5 cm


National Gallery of Victoria, Melbourne
Purchased through the NGV Foundation with the assistance of The Hugh D. T. Williamson Foundation, Honorary Life Benefactor, 2005
2005.61

    Arthur STREETON
    Princess & 'Burke & Wills' 1889
    oil on wood panel
    21.5 x 16.5 cm
    National Gallery of Victoria, Melbourne
    Purchased through the NGV Foundation with the assistance of The Hugh D. T. Williamson Foundation, Honorary Life Benefactor, 2005
    2005.61

  • Anne-Marie BEATTIE
Untitled (1990) 

from the Radiant city series 1990
type C photograph
30.5 x 30.6 cm (image and sheet)


National Gallery of Victoria, Melbourne
Purchased through The Art Foundation of Victoria with the assistance of The Hugh D. T. Williamson Foundation, Founder Benefactor, 1992
PH27-1992


© Anne-Marie Beattie

    Anne-Marie BEATTIE
    Untitled (1990)
    from the Radiant city series 1990
    type C photograph
    30.5 x 30.6 cm (image and sheet)
    National Gallery of Victoria, Melbourne
    Purchased through The Art Foundation of Victoria with the assistance of The Hugh D. T. Williamson Foundation, Founder Benefactor, 1992
    PH27-1992
    © Anne-Marie Beattie