British Watercolours 1760–1900
The Age of Splendour
Samuel PALMER
The Golden City: Rome from the Janiculum 1873
watercolour and gouache with traces of pencil, black chalk and gum arabic
51.4 x 71.0 cm (sheet)
Lister 668
National Gallery of Victoria, Melbourne
Presented by members of the Varley Family, 1927
3470-3

This exhibition, drawn entirely from the NGV Collection, traces the revolution in British watercolours from the late eighteenth century to the end of the Victorian era. In this period the delicate, tinted drawing of the topographical draughtsman was transformed into a powerful and expressive art form by some of the Romantic and Victorian era’s greatest artists. Watercolour was pivotal to the changing attitudes to landscape at this time and witnessed a shift in emphasis from the recording of the observed world to the expression of the artist’s personal response to nature. The exhibition also reveals the increased ambition of watercolourists in the later 19th century whose ’exhibition watercolours‘ competed with oil paintings in terms of size, brilliance of colour and effect and range of subject matter.  
 
The exhibition presents major works from the Gallery’s collection that exemplify these developments by artists including Paul Sandby, Thomas Gainsborough, John Robert Cozens, J.M.W. Turner, Thomas Girtin, John Sell Cotman, David Cox, Peter de Wint, William Blake, Richard Parkes Bonington, Samuel Palmer, Dante Gabriel Rossetti, Ford Madox Brown and Edward Burne-Jones, amongst others.


14 Oct 201119 Feb 2012 NGV International, 180 St Kilda Road
Robert Raynor Gallery Prints & Drawings, Level 3, NGVI
Prints & Drawings, Level 3, NGVI


Paul SANDBY
Windsor Castle: The Round Tower, Royal Court and Devil's Tower from the Black Rod (c. 1767)
watercolour and gouache over traces of pencil
29.7 x 43.7 cm (sheet)
National Gallery of Victoria, Melbourne
Felton Bequest, 1922
1260B-3

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