This cabinet demonstrates design duo A&A’s ongoing interest in mechanical furniture, originally popularised in the 1800s. Such pieces encompassed cabinets, desks and bookcases, and often featured concealed chambers. Upon opening, Gloam cabinet turns inside out to reveal a hidden compartment. The cabinet’s curvaceous silhouette and vibrant, patterned surface captivate the viewer, showcasing the timeless appeal of melding tradition with contemporary innovation. Beneath its aesthetic allure lies a deeper narrative: the utilisation of materials, tools and techniques underscores the evolution and significance of craft and design across centuries.
The acquisition of this artist’s work is supported by the Victorian Foundation for Living Australian Artists. This project is proudly supported by Mercedes-Benz Australia.
A&A design studio
Australian est. 2018
Founded by Australian industrial designer Adam Goodrum and Parisian straw-marquetry master Arthur Seigneur, A&A produces captivating objects and furniture that merge innovative design and new technologies with traditional craft techniques. Goodrum has worked with brands including Cappellini, Alessi and Veuve Clicquot, and in 2015 he won the triennial Rigg Design Prize, the highest accolade for contemporary design in Australia. Seigneur is a graduate of the prestigious École de la Bonne Graine furniture-making school. He honed his craft while working alongside marquetry artist Lison de Caunes, granddaughter of renowned Art Deco designer André Groult. In 2024 A&A received the Melbourne Design Week Award for Kissing cabinet, a complex faceted cabinet featuring a continuous pattern of vibrantly coloured straw marquetry.