Mike BROWN<br/>
<em>Manifestations</em> 1982 <!-- (recto) --><br />

synthetic polymer on canvas<br />
182.8 x 243.8 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased through The Art Foundation of Victoria with the assistance of Marc Besen, Governor, 1984<br />
AC2-1984<br />
© Courtesy of the artist's estate
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Mix Tape 1980s

Appropriation, Subculture, Critical Style

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

11 Apr 13 – 1 Sep 13

Remembered as a decade of big hair, shoulder pads, music videos and an art market boom, the 1980s was a period in which artists took up a diverse range of aesthetic positions not merely as stylistic options but as trenchantly argued ethical choices.

Mix Tape 1980s: Appropriation, Subculture, Critical Style explores a decade of dynamic change in contemporary art and culture, from appropriation and sampling in painting and music to the DIY aesthetics of post-punk music, art and fashion; and from postmodern critiques of history, authorship and originality to postcolonial revisions of Australian history and identity.

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