Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Lawrence Alma-Tadema
The vintage festival 1871
oil on wood panel
51.0 × 119.0 cm
National Gallery of Victoria, Melbourne
Purchased, 1888
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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The vintage festival
1871
Medium
oil on wood panel
Measurements
51.0 × 119.0 cm
Credit Line
National Gallery of Victoria, Melbourne
Purchased, 1888
Gallery location
19th Century European Paintings Gallery
Level 2, NGV International
About this work
The vintage festival is set in the villa of Marcus Holconius Rufus, a prominent citizen of Pompeii at the time of that city’s destruction in AD 79. This work is one of the astonishingly vivid recreations of daily life in the ancient Roman and Greek worlds that brought the Dutch-born Alma-Tadema – who had migrated to England from Belgium in 1870 – both critical acclaim and financial security. Alma-Tadema’s Dionysian vision of Roman splendour is a quintessential example of the archaeologically informed taste for classicism that prevailed in Victorian England.
Artwork Details
Inscription
inscribed in black paint l.l.: Alma Tadema 1871
Accession Number
p.312.7-1
Department
International Painting
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited
Subjects (general)
History and Legend Human Figures
Subjects (specific)
classicism columns (architectural elements) festivals musicians Pompeii (deserted settlement) processions togas (mantles) villas
Provenance
Commissioned from the artist by Ernest Gambart (1814–1902), 1871; Gambart collection, London and Spa, Belgium, until 1886; from whom purchased by Agnew’s (dealer), London, 14 July 1886 (stock no. 4137); with Agnew’s, until 1888; from where purchased, by Alfred Taddy Thompson and Sir James McCulloch, for the NGV, 22 May 1888.
Frame
Original, maker unknown
Frame
The broad scale Academy frame on The Vintage Festival, can be compared to the frame on Orchardson, The first cloud.
These frames, though richly ornamented, are essentially linear in form. Strongly contrasted to Baroque frames, their heritage is in the Classical Revival and the Italian Renaissance.
The painting was cleaned in 2007.
Frame Details
Framemaker
Unknown - 19th century
Date
c.1871
Materials
timber, composition, gold leaf
Frame Condition
good original condition
Dimensions
85 x 151 x 15 cm