TEXTAQUEEN<br/> <em>Gandhi returns (Self-portrait)</em> 2013 <!-- (recto) --><br /> from the series <i>Unknown Artist</i><br /> colour fibre-tipped pens<br /> 127.0 x 97.5 cm (sheet)<br /> National Gallery of Victoria, Melbourne<br /> Purchased NGV Foundation with the assistance of The Docking Drawing Fund (NGV), 2013<br /> 2013.44<br /> © TextaQueen <!--106404-->
TEXTAQUEEN
Gandhi returns (Self-portrait) 2013
from the series Unknown Artist
colour fibre-tipped pens
127.0 x 97.5 cm (sheet)
National Gallery of Victoria, Melbourne
Purchased NGV Foundation with the assistance of The Docking Drawing Fund (NGV), 2013
2013.44
© TextaQueen
Identity

Aboriginal Feminism and Gender

Listen to Claire Coleman

‘Art can not only teach the people who are not part of those identities, that those identities are not the enemy, but it can teach people from within the LGBTQI community that our community, and our identity, is something to be proud of and not something to be ashamed of.’
Claire Coleman

Aboriginal Feminism and Gender

The works of contemporary Australian artist TextaQueen tackle questions of identity, particularly around ancestry and gender, which are unpacked in drawings in texta (felt-tipped pens).

Read She Persists essay

Collection

TEXTAQUEEN<br/> <em>Gandhi returns (Self-portrait)</em> 2013 <!-- (recto) --><br /> from the series <i>Unknown Artist</i><br /> colour fibre-tipped pens<br /> 127.0 x 97.5 cm (sheet)<br /> National Gallery of Victoria, Melbourne<br /> Purchased NGV Foundation with the assistance of The Docking Drawing Fund (NGV), 2013<br /> 2013.44<br /> © TextaQueen <!--106404--> TEXTAQUEEN
Gandhi returns (Self-portrait)
 2013
from the series Unknown Artist