Ragnar Kjartansson<br/><em>The Visitors</em>, 2012<br />Elisabet Davids

Ragnar Kjartansson

Mercy

NGV International

Ground Level

26 Jun – 4 Oct 26, ticketed

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Ticket prices
  • NGV Member Adult $20
  • Member Child (5–15 years) $10
  • NGV Member Family $50

    (2 adults + 3 children)

  • Adult $25
  • Concession $22
  • Child (5–15 years) $11
  • Family  $60

    (2 adults + 3 children)

NGV Members: Buy tickets

Icelandic artist Ragnar Kjartansson (b. 1976 Reykjavik) is heralded as one of the most distinctive contemporary artists working today. Drawing on Western musical and artistic themes, Kjartansson offers an adoring and satirical spin on literature, cinema and pop music. 

This exhibition, the first of its kind in Australia, presents new and recent video works that define Kjartansson’s art practice, which is steeped in humour, music and theatre. Key works include his recent pastorale Sunday Without Love, in which we see people clad in folk costume in idyllic scenery, repeating the lament ‘You must learn to live without love, love is not good for you’; and the acclaimed nine-screen installation The Visitors, 2012, filmed at Rokeby mansion in upstate New York. Each room of the nineteenth-century mansion hosts a different musician – a drummer in the kitchen, Kjartansson on guitar in the bath, a banjo-player in the library – performing lyrics written by artist Ásdís Sif Gunnarsdóttir.

Humour, often dark and at times unsettling, is another thread in Kjartansson’s work. In the ongoing video work Me and My Mother, Kjartansson asks his mother, the acclaimed Icelandic actor Guðrún Ásmundsdóttir, to spit on him. The resulting portraits capture dramatic pauses, sideways glances, grimaces and stifled laughter. Kjartansson’s artistic voice is unique and enthralling, offering audiences deeply reflective moments imbued with music, language and humanity.

Kjartansson has a lifelong connection to theatre shaped by his childhood. The son of a director and an actor, Kjartansson grew up surrounded by rehearsals, scripts and backstage activity. Watching performers repeat lines and refine scenes sparked his interest in the process and continues to inform his own creative practice. 

For children, Kjartansson has created an exhibition inspired by the idea of a theatrical feast – a concept originating in the Middle Ages, evolving from lavish festivities at European courts in the Rococo period to the modern notion of ‘dinner and a show’. Together with the NGV team, Kjartansson has reimagined banquet halls and theatres for the NGV Children’s Gallery.