Birmuyingathi Maali Netta Loogatha<br />
 Mirdidingkingathi Juwarnda Sally Gabori<br />
 Warthadangathi Bijarrba Ethel Thomas<br />
 Thunduyingathi Bijarrb May Moodoonuthi<br />
 Kuruwarriyingathi Bijarrb Paula Paul<br />
 Wirrngajingathi Bijarrb Kurdalalngk Dawn Naranatjil<br />
 Rayarriwarrtharrbayingathi Mingungurra Amy Loogatha<br/>
<em>Dulka Warngiid</em> 2007 <!-- (recto) --><br />

synthetic polymer paint on canvas<br />
195.0 x 610.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds donated by Catherine Allen, Carolyn Berger and Delma Valmorbida, 2007<br />
2007.527<br />
© The Estate of Sally Gabori/Licensed by Copyright Agency, Australia
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Sally Gabori

Land of All

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

Level 3

23 Sep 16 – 29 Jan 17

THE IAN POTTER CENTRE:

This retrospective survey and celebration of the life and work of Mirdidingkingathi Juwarnda Sally Gabori c.1924–2015 features over thirty works on loan from Queensland Art Gallery | Gallery of Modern Art, Brisbane. Gabori was a contemporary artist of considerable sophistication and dare and a distinguished senior Kaiadilt woman artist from Bentinck Island in the Queensland’s Gulf of Carpentaria. Her indefatigable zeal to communicate her stories, knowledge, and experiences accumulated over an incredible life — spanning over 90 years — won her great admiration and has left an astonishing cultural legacy.

The exhibition Mirdidingkingathi Juwarnda Sally Gabori: Dulka Warngiid – Land of All traces the stylistic trajectory of Gabori’s oeuvre, encompassing her earliest small-scale canvases of 2005, iconic large-scale collaborative works with other Kaiadilt women, her singular monumental canvases of daring colour juxtapositions, through to her almost monochromatic paintings and works on bark produced at the end of her career.

Gabori created a body of work, which expressed sensations of life and cultural memory in diaspora, and differed from other known forms of Aboriginal painting, which focused on story-telling. Most of Gabori’s works represent places on Bentinck Island of deep personal significance to the artist: her husband’s place, Dibirdibi Country, her father’s place, Thundi, her own Country, Mirdidingki, and the first outstation, Nyinyilki.

Gabori lived on Bentinck Island in accordance with custom, developing knowledge of Kaiadilt cartography and cosmology, until the entire population was removed to Mornington Island mission by European settlers in 1948.

This exhibition Mirdidingkingathi Juwarnda Sally Gabori: Dulka Warngiid – Land of All is a Queensland Art Gallery | Gallery of Modern Art Touring Exhibition

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