Henri CARTIER-BRESSON<br/>
<em>Madrid</em> 1933; (c. 2000) {printed} <!-- (recto) --><br />

gelatin silver photograph<br />
22.8 x 33.8 cm (image) 29.6 x 39.7 cm (sheet)<br />
National Gallery of Victoria, Melbourne<br />
Gift of Krystyna Campbell-Pretty AM and Family through the Australian Government's Cultural Gifts Program, 2026<br />
<br />
© Fondation Henri Cartier-Bresson/Magnum Photos
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The Photographer’s Eye

NGV International

9 Apr – 26 Apr 68

Curated by the Museum of Modern Art, New York, this exhibition is an investigation of what photographs look like, and why they look that way. It is concerned with photographic style and with photographic tradition: with the sense of possibilities that a photographer today takes to their work. After a century and a quarter, photography’s ability to challenge and reject our schematized notions of reality is still fresh. The exhibition is divided into five sections: The Thing Itself; The Detail; The Frame; Time; and Vantage Point.

Adapted from The Photographer’s Eye, exhibition pamphlet, 1968.