Conservation

Moving out of muteness—a conversation with the artist

By Dianne Whittle

The wonderful world of the Charles I and Henrietta Maria raised embroidery

By Kate Douglas

Conservation live: the John Herbert Public Conservation Project

By Michael Varcoe-Cocks

Coif, early 17th century

By Mary Brooks

Exquisite Threads: English Embroidery 1600s–1900s

By Paola Di Trocchio

New for old – reframing a 17th century painting by David Teniers II

By Toby Miller

Reflecting on the installation of Takahiro Iwasaki’s Reflection Model (Itsukushima)

By Suzi Shaw

X-raying Japanese armour: Exposing the secrets beneath

By Suzi Shaw

Q: How many Conservators does it take to replace a lightglobe?

By Dianne Whittle

Framing Fancies: Lely’s portrait of Sir John Rous

By Holly McGowan-Jackson

Compressing concerns with mid-century foam upholstery

By Suzi Shaw

Plastics in Art: David McDiarmid. Part 3: Sydney Curtain

By Helen Casey

Plastics in Art: David McDiarmid. Part 2: Thinking of You

By Sandi Mitchell

Digital in-fill for Turtle Soup

By Kate Douglas

Plastics in Art: David McDiarmid. Part 1: Scientific Analysis.

By Trude Ellingsen

Jack Meyer, Industrial Revolution

By Dianne Whittle

Fashion and Fiction

By Danielle Whitfield

The conservation of Kore (Acc.No.1045A-D4)

By Marika Strohschnieder