Collection Online

Working drawings for Boundary (A line in art)
1993

Medium
coloured pencil, pencil and fibre-tipped pen
Credit Line
National Gallery of Victoria, Melbourne
Gift of an anonymous donor through the Australian Government’s Cultural Gifts Program, 2011
Gallery location
Not on display

Artwork Details

Medium
coloured pencil, pencil and fibre-tipped pen
Measurements
(1-3) 29.7 × 41.8 cm (sheet) (each)
Inscription
(1) inscribed in pencil l.r.: B.H 93
inscribed in pencil u.l.-c.l.: all of a sudden soudain, tout à cach / this thing, that thing, fuck.
inscribed in pencil u.l.-c.l.: (various numbers) ‘SPECIAL INTEREST’ (various numbers)
inscribed in pencil c.l.: dont let this / go there is / something here I I / not a colum
inscribed in pencil c.l.: let it go
inscribed in pencil u.c.-u.r.: what part of me do I expect the new to come from / my mind ? only my mind ? / what is new ? what can be new / answer ! = the doing / newness in the becoming of (the new) / (the) becoming = (the) doing newness / the will to do something (anything) / productive being (special) (not so special) / personal experience ? / personal expression ? / BE COMING / paint this ok (downward arrow) now! scale ? / Being a lady ‘BODY’
inscribed in pencil (in image) c.r.: BIG / BODY [arrow downward] / BODY (arrow upward)
inscribed in pencil (in image) c.r.: BIG / BODY (arrow downward) / BODY / BODY (arrow upward)
inscribed in pencil c.r.: LAIR / LIAR / LINE
inscribed in pencil l.c.: a folding line / ‘Everything in form, and life itself is form.’ BALZAC / form is inseparable from movement. / form is alive / life is movement. / folding. / space.
(2) inscribed in pencil l.r.: B.H 93
inscribed in pencil u.l.: what do I want to say about anything / meaningless paintings
inscribed in pencil c.l.: got the picture / (DELEUZE) / getting the pitcutre / (GAUTTARI)
inscribed in pencil c.l.: To my inability to locate.a / meaning significant enough / to declare an image system / for myself due to what ?
inscribed in pencil l.l.-l.c.: Express what. / What point in my own experience / would I want to express. Nothing / about myself impresses me. So / should I illustrate some social / text that concerns me. Sexual difference ? / Gee that would be novel !.. / How do I define experience. What experience / psychology – ontology – spiritual. philosophic (psychology ontology philosophic underlined) / To start describing to myself the experience / of being alive. of perception, of articulation / I hate the idea of painting as another language. / The privelege of questioning.
inscribed in pencil u.r.: why do I still do / this
inscribed in pencil c.: experience on the plane / of the fold / black holes- / Gilles Deleuze… / -white walls.
inscribed in pencil l.r.: what does this mean? / 7.4 / white stocking painting
inscribed in pencil l.r.: what does this mean / it works / but what / does it do
inscribed in pencil l.r.: why do / I feel less / convinced / by this illeg. / than the / double ballle / when this / is more / my own / image
(3) inscribed in pencil l.r.: B.H 93
inscribed in pencil u.l.-u.c.: (various numbers) DIRTY WORDS ESSENTIALIST / ESSENTIALISM / ESSENTIALISTIC / ESSENTIALLY / CREATIVE GENIUS / DEFEAT / HALF WAY
inscribed in pencil l.r.: BAD DAY
inscribed in pencil u.c.-u.r.: Im almost insisting with my self / that they add up. To what ? Why do they / have to add up to anything ? Whats anything / Surely they intend a meaning. / To keep a false conclusion at bay. nonconclusive. / map experience – expression / map space. beings’ expression / Think ! expression of being / one thing / Movement – body movement every thing / curve. / picture space – body space – free space. / fuck space / face it.
inscribed in pencil c.-c.r.: UNTITLED / (SO… IF THIS IS LIFE, AND IM HALF WAY THROUGH IT… ?) / PAINTING.
inscribed in pencil c.: BAD / BADDER / BADDEST / FORMED / FORMING / (BAD) / FORMS / MOVING / (BETTER) / BEST
inscribed in pencil l.r.: BRAIN DEAD. / BAD DAY / NO CONCERTRATION / NO SUBJECT / EVERY SUBJECT / EVERY THING / EVERY THING / KELLYS’ REALISM / KELLYS’ ANT. REALISM / KELLYS MUM. / KELLYS BUM
Accession Number
2011.459.1-3
Department
Australian Prints & Drawings
Credit Line
National Gallery of Victoria, Melbourne
Gift of an anonymous donor through the Australian Government’s Cultural Gifts Program, 2011
Gallery location
Not on display