The Island IV reimagines an etching by Wilhelm von Blandowski that depicts a group of Nyeri Nyeri men engaged in ceremony. Brook Andrew’s gigantic screenprint parodies Blandowski’s grotesque misunderstanding of the customary ritual of tooth evulsion. In Andrew’s work, the etching is transformed into a lurid blue landscape invaded by crudely drawn ‘savages’ – whom Blandowski described as ‘writhing and convulsing in the dust.’