Medium
oil on canvas
Measurements
75.1 × 50.0 cm
Credit Line
National Gallery of Victoria, Melbourne
Purchased with funds donated by the Bowness Family Foundation and George and Patricia Kline and family, 2017
© Françoise Gilot, courtesy of Vincent Mann Gallery
Gallery location
Late 19th & early 20th Century Paintings & Decorative Arts Gallery
Level 2, NGV International
About this work
This work comes from a period of change in Françoise Gilot’s artistic career, when she moved away from working principally from the imagination in a quasi-Surrealist mode. In 1954, following the end of her relationship with Pablo Picasso, she resumed drawing from nature, taking inspiration from professional models or friends. A favourite model in Paris at this time was a young English classical dancer called Germaine Brocks. Gilot recalled that with her ‘fair hair, pale complexion and a fine silhouette’, Brocks became ‘an inspiring and poetic presence’. Although often posing in ballet costume, here Brocks wears everyday attire, capturing the spirit of modernity in 1950s Paris.
Place/s of Execution
Paris, France
Inscription
inscribed in maroon paint l.r.: F. Gilot. 1956
inscribed in maroon paint on reverse u.l.: - Les yeux bleus – 1956
Accession Number
2017.77
Department
International Painting
Subjects (general)
Human Figures Portraits
Subjects (specific)
chairs (furniture forms) eyes (animal components) seated figures three-quarter views women (female humans)
Movements
Modernism