The artist, title and date of the work must be listed anywhere the image is reproduced:
László Moholy-Nagy
Untitled (1923)
lithograph
59.7 × 43.8 cm (image and sheet)
National Gallery of Victoria, Melbourne
Ursula Jacobs Bequest, 2020
© Public Domain
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
lithograph
Measurements
59.7 × 43.8 cm (image and sheet)
Credit Line
National Gallery of Victoria, Melbourne
Ursula Jacobs Bequest, 2020
© Public Domain
Gallery location
Not on display
About this work
While living in Berlin between 1920 and 1923, Hungarian-born artist László Moholy-Nagy was exposed to avant-garde movements such as Dada, de Stijl and Constructivism, which profoundly shaped his artistic output. This lithograph was created in the same year Moholy-Nagy began teaching at the Bauhaus in Weimar, where he played a pivotal role in transforming the school into a centre for industrial design and production. The work forms part of the Constructions portfolio, an important example of Constructivist printmaking and Moholy-Nagy’s most notable work in the print medium. The composition of floating shapes and intersecting planes relates to Moholy-Nagy’s abstract paintings and his groundbreaking kinetic assemblages of metal and transparent plastic.
Place/s of Execution
Hanover, Germany
Edition
edition of 50
Inscription
inscribed in pencil l.r.: Moholy = Nagy
Accession Number
2020.737
Departments
International Prints / International Prints and Drawings