The artist, title and date of the work must be listed anywhere the image is reproduced:
France, (Paris)
Parure (c. 1826)
gold, citrine
(a) 7.5 × 17.5 × 7.9 cm (diadem)
(b-c) 24.5 × 12.0 × 1.2 cm (necklace and pendant)
(d) 5.5 × 5.0 × 5.3 cm (bracelet)
(e) 5.5 × 5.0 × 5.3 cm (bracelet)
(f) 6.0 × 3.8 × 1.5 cm (belt slide)
(g) 4.1 × 1.3 × 1.2 cm (earring)
(h) 4.2 × 1.3 × 1.4 cm (earring)
(i) 4.3 × 2.5 × 0.5 cm (fitting)
(j) 4.3 × 2.7 × 0.5 cm (fitting)
National Gallery of Victoria, Melbourne
Purchased, 1980
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
gold, citrine
Measurements
(a) 7.5 × 17.5 × 7.9 cm (diadem)
(b-c) 24.5 × 12.0 × 1.2 cm (necklace and pendant)
(d) 5.5 × 5.0 × 5.3 cm (bracelet)
(e) 5.5 × 5.0 × 5.3 cm (bracelet)
(f) 6.0 × 3.8 × 1.5 cm (belt slide)
(g) 4.1 × 1.3 × 1.2 cm (earring)
(h) 4.2 × 1.3 × 1.4 cm (earring)
(i) 4.3 × 2.5 × 0.5 cm (fitting)
(j) 4.3 × 2.7 × 0.5 cm (fitting)
Credit Line
National Gallery of Victoria, Melbourne
Purchased, 1980
Gallery location
18th & 19th Century Decorative Arts & Paintings Gallery
Level 2, NGV International
About this work
Although parures have been produced since classical antiquity, they became particularly fashionable during the nineteenth century following the coronation of Napoleon in 1804 and were inspired by Empress Josephine’s opulent taste. This dazzling parure made of gold and citrines is an example of a less-expensive parure that was made for members of the French aristocracy returning from exile to a much-altered country following Napoleon’s reign. As observed by the French jeweller and historian, Henri Vever, such parures ‘were more spectacular than valuable’.
Place/s of Execution
(Paris), France
Inscription
(a) punched in base c.: (horse head in a circle)
Accession Number
D384.a-j-1980
Department
International Decorative Arts
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited