The artist, title and date of the work must be listed anywhere the image is reproduced:
Workshop Of The Embriachi, Florence/Venice
Triptych (c. 1450)
bone, wood, iron
National Gallery of Victoria, Melbourne
Bequest of Howard Spensley, 1939
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
bone, wood, iron
Credit Line
National Gallery of Victoria, Melbourne
Bequest of Howard Spensley, 1939
Gallery location
14th - 16th Century Gallery - Painting & Decorative Arts
Level 1, NGV International
About this work
This small altar intended for private devotion shows the Virgin and Christ child in the centre, flanked by St Catherine on the right and St Mary Magdalene on the left. The right wing shows St Peter and the left wing shows St Paul. Objects such as this were intended to be portable, and sometimes had travel cases. The Embriachi were a family of entrepreneurs and carvers from north Italy. They appear to have operated workshops in Florence and Venice, where they employed local workers specialising in certosina (inlay of stained woods, bone and horn). The workshop produced items in carved bone with certosina ornament.
Place/s of Execution
Florence / Venice, Italy
Accession Number
4116-D3
Department
International Decorative Arts
This digital record has been made available on NGV Collection Online through the generous support of Digitisation Champion Dame Carol Colburn-Grigor CBE through Metal Manufactures Limited