The artist, title and date of the work must be listed anywhere the image is reproduced:
Schelte Adamz à Bolswert (engraver)
Anthony van Dyck (after)
Andries van Eertvelt (c. 1632-1641); published (1645-1646)
engraving
21.2 × 16.7 cm (image) 25.0 × 17.3 cm (plate) 25.6 × 17.8 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
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Medium
engraving
Measurements
21.2 × 16.7 cm (image) 25.0 × 17.3 cm (plate) 25.6 × 17.8 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
New Hollstein 60 v/vi (van Dyck); Mauquoy-Hendrickx 100 v/vi; Hollstein 335 i/ii (Bolswert)
Edition
5th of 6 states
Printing/Publishing
published by Gillis Hendricx, Antwerp
Inscription
printed in ink l.l.: Ant. van Dyck pinxit.
printed in ink l.r.: S. à Bolſwert ſculpsit.
printed in ink l.c.: ANDREAS VAN ERTVELT / PICTOR TRIREMIVM NAVIVMQVE MAIORVM ANTVERPIÆ. / G.H.
Accession Number
241A-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Costume Portraits
Subjects (specific)
artist painters Eertvelt, Andries van engravers (printmakers) marine painters menswear reproductive prints seas series (object groupings)
Movements
Baroque