Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Schelte Adamz à Bolswert (engraver)
Anthony van Dyck (after)
Andries van Eertvelt (c. 1632-1641); published (after 1677)
engraving
21.1 × 16.7 cm (image) 24.7 × 17.1 cm (sheet, trimmed within platemark)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Andries van Eertvelt
(c. 1632-1641); published (after 1677)
from the Iconography (Icones Principum...) series
Medium
engraving
Measurements
21.1 × 16.7 cm (image) 24.7 × 17.1 cm (sheet, trimmed within platemark)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Artwork Details
Catalogue/s Raisonné
New Hollstein 60 vi/vi (van Dyck); Mauquoy-Hendrickx 100 vi/vi; Hollstein 335 ii/ii (Bolswert)
Edition
6th of 6 states
Inscription
printed in ink l.l.: Ant. van Dyck pinxit.
printed in ink l.r.: S. à Bolſwert ſculpsit.
printed in ink l.c.: ANDREAS VAN ERTVELT / PICTOR TRIREMIVM NAVIVMQVE MAIORVM ANTVERPIÆ.
Accession Number
241B-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Costume Portraits
Subjects (specific)
artist painters Eertvelt, Andries van engravers (printmakers) marine painters menswear reproductive prints seas series (object groupings)
Movements
Baroque