The artist, title and date of the work must be listed anywhere the image is reproduced:
Schelte Adamz à Bolswert (engraver)
Anthony van Dyck (after)
Mary Ruthven (1640-1645); published (after 1677)
engraving
22.2 × 16.0 cm (image) 24.1 × 16.5 cm (sheet, trimmed within platemark)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Medium
engraving
Measurements
22.2 × 16.0 cm (image) 24.1 × 16.5 cm (sheet, trimmed within platemark)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
New Hollstein 86 vi/vi (van Dyck); Depauw & Luijten 28; Mauquoy-Hendrickx 101 vi/vi; Hollstein 342 iii/iii (Bolswert)
Edition
6th of 6 states
Inscription
printed in ink l.l.: Ant. van Dyck pinxit.
printed in ink l.r.: S. à Bolſwert ſculpsit.
printed in ink l.c.: MARIA RVTEN / NATA IN SCOTIA, VXOR ANTONII VAN DYCK PICTORIS, / E RVTORVM FAMILIA NOBILISSIMA ORIVNDA.
Accession Number
242D-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Portraits Relationships and Interactions
Subjects (specific)
aristocrats ladies-in-waiting oak leaf (motif) reproductive prints rosaries Ruthven, Mary series (object groupings) spouses
Movements
Baroque