The artist, title and date of the work must be listed anywhere the image is reproduced:
Johannes Meyssens (etcher and engraver) (attributed to)
Anthony van Dyck (after)
Charles I, King of England (c. 1649)
etching and engraving
22.2 × 18.4 cm (image) 23.8 × 18.3 cm (plate) 24.7 × 19.6 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
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Medium
etching and engraving
Measurements
22.2 × 18.4 cm (image) 23.8 × 18.3 cm (plate) 24.7 × 19.6 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
New Hollstein 117 iv/v (van Dyck); Mauquoy-Hendrickx 119 iv/v; Hollstein 270 i/ii (Meyssens)
Edition
4th of 5 states
Printing/Publishing
published by Johannes Meyssens, Antwerp
Inscription
printed in ink l.l.: Antoniús Van (- above n) Dÿck Pinxit
printed in ink l.r.: Ioan. Meyſens excudit
printed in ink l.l.-l.r.: CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ FRANCIÆ ET HIBERN·REX
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
armour (protective wear) Charles I, King of England crowns (headdresses) kings (people) patrons (philanthropists) reproductive prints sashes (costume accessories) series (object groupings)
Movements
Baroque