The artist, title and date of the work must be listed anywhere the image is reproduced:
Johannes Meyssens (engraver)
Anthony van Dyck (after)
François van der Ee (c. 1649)
etching and engraving
21.9 × 16.1 cm irreg. (image) 22.9 × 16.8 cm (plate) 23.2 × 17.2 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
etching and engraving
Measurements
21.9 × 16.1 cm irreg. (image) 22.9 × 16.8 cm (plate) 23.2 × 17.2 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
New Hollstein 125 iii/v (van Dyck); Mauquoy-Hendrickx 141 iii/iv; Hollstein 274 iii/iv (Meyssens)
Edition
3rd of 5 states
Printing/Publishing
published by Johannes Meyssens, Antwerp
Inscription
printed in ink l.l.: Anton van Dyck pinxit
printed in ink l.r.: Ioannes Meyſens fecit et excud.
printed in ink l.c.: D FRANCISCVS VANDER EE / Dns (- above n) de Meys, Pretor Ciuitatis Bruxellensis.
Accession Number
272A-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Costume Portraits
Subjects (specific)
chains (object genres) facial hairstyles men (male humans) menswear reproductive prints rings (finger jewellery) ruffs series (object groupings)
Movements
Baroque