The artist, title and date of the work must be listed anywhere the image is reproduced:
Johannes Meyssens (engraver)
Anthony van Dyck (after)
Mary Ruthven (c. 1649)
etching and engraving
22.5 × 18.3 cm irreg. (image) 24.3 × 18.9 cm irreg. (plate) 24.4 × 19.2 cm irreg. (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
etching and engraving
Measurements
22.5 × 18.3 cm irreg. (image) 24.3 × 18.9 cm irreg. (plate) 24.4 × 19.2 cm irreg. (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
New Hollstein 164 i/iv (van Dyck); Mauquoy-Hendrickx 143 i/iv; Hollstein 285 i/iii (Meyssens)
Edition
1st of 4 states
Printing/Publishing
published by Johannes Meyssens, Antwerp
Inscription
printed in ink l.l.: Anton. van Dyck pinxit
printed in ink l.r.: Ioan. Meyſens fecit et excud
printed in ink l.l.-l.r.: MARIA RVTEN VXOR D ANTONI VAN DYCK EQVES
Accession Number
274-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Portraits Relationships and Interactions
Subjects (specific)
aristocrats hairstyles reproductive prints rosaries Ruthven, Mary series (object groupings) spouses womenswear
Movements
Baroque