The artist, title and date of the work must be listed anywhere the image is reproduced:
Michel Natalis (engraver)
Anthony van Dyck (after)
Ernestine de Ligne (c. 1649)
engraving
24.4 × 18.7 cm (image) 26.4 × 19.0 cm (plate) 27.4 × 19.9 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
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Medium
engraving
Measurements
24.4 × 18.7 cm (image) 26.4 × 19.0 cm (plate) 27.4 × 19.9 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
New Hollstein 145 i/ii (van Dyck); Mauquoy-Hendrickx 144 ii/iii; Hollstein 165 ii/iii (Natalis)
Edition
1st of 2 states
Printing/Publishing
published by Johannes Meyssens, Antwerp
Inscription
printed in ink l.l.: Antonius van Dyck pinxit
printed in ink l.c.: Michael Natalis ſculpsit.
printed in ink l.r.: Ioannes Meyſſens excudit Antuerpiæ.
printed in ink l.l.-l.r.: ERNESTINA PRINCEPS LIGNEANA ET S.TI ( . under TI) IMPERII, COMES NASSAVIA. ETC.A ( . under A)
Accession Number
275-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
hairstyles jewellery princesses reproductive prints series (object groupings) vandykes (collars) women (female humans) womenswear
Movements
Baroque