Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Paulus Pontius (engraver)
Anthony van Dyck (after)
Marie de Barbançon, Princess of Arenberg 1645; published (c. 1649)
engraving
23.3 × 18.4 cm (image) 25.2 × 18.7 cm (plate) 26.3 × 19.6 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Marie de Barbançon, Princess of Arenberg
1645; published (c. 1649)
from the Iconography (Icones Principum...) series
Medium
engraving
Measurements
23.3 × 18.4 cm (image) 25.2 × 18.7 cm (plate) 26.3 × 19.6 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Artwork Details
Catalogue/s Raisonné
New Hollstein 106 iii/iv (van Dyck); Hollstein 53 iii/iv (Pontius); Mauquoy-Hendrickx 146 iii/iv
Edition
3rd of 4 states
Printing/Publishing
published by Johannes Meyssens, Antwerp
Inscription
printed in ink l.l.: Antonius van Dyck pinxit.
printed in ink l.c.: Paulus Pontius ſculp. Anno 1645.
printed in ink l.r.: Ioannes Meyſſens excudit Antuerpiæ.
printed in ink l.l.-l.r.: MARIA DEI GRATIÂ PRINCEPS, COMES ARENBERGIÆ, / PRINCEPS BARBANSONIA ETC.A ( . under A)
Accession Number
277-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
hairstyles jewellery princesses reproductive prints series (object groupings) vandykes (collars) women (female humans) womenswear
Movements
Baroque