The artist, title and date of the work must be listed anywhere the image is reproduced:
Koenraad Waumans (engraver)
Anthony van Dyck (after)
Marie-Claire de Croy, Duchess of Havré (c. 1649)
engraving
24.4 × 19.8 cm (image) 26.4 × 20.2 cm (plate) 27.5 × 21.2 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Medium
engraving
Measurements
24.4 × 19.8 cm (image) 26.4 × 20.2 cm (plate) 27.5 × 21.2 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
New Hollstein 123 ii/iii (van Dyck); Hollstein 87 (undescribed state between i and ii/ii) (Waumans); Mauquoy-Hendrickx 149 i/ii
Edition
2nd of 3 states
Printing/Publishing
published by Johannes Meyssens, Antwerp
Inscription
printed in ink l.l.: Antonius van Dyck pinxit.
printed in ink l.c.: Coenraerdus Waumans ſculpsit.
printed in ink l.r.: Ioannes Meyſens excudit.
printed in ink l.l.-l.r.: MARIA CLARA DE CROIIO, DVX HAVREANA CROYANAQɜ (Qɜ joined) PRINCEPS S.TI ( . under TI) IMPERII, / SOVVERANEA ET BARONISSA FENESTRANGIÆ ET COSTÆ COMES FONTENOIIA ETC.
Accession Number
280-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
duchesses (noblewomen) hairstyles jewellery nobles (aristocrats) reproductive prints series (object groupings) vandykes (collars) womenswear
Movements
Baroque