Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Peeter Clouwet (engraver)
Anthony van Dyck (after)
Theodoor Rogiers (c. 1645)
engraving
24.1 × 19.1 cm (image) 27.4 × 20.1 cm (plate) 27.6 × 20.3 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Theodoor Rogiers
(c. 1645)
from the Iconography (Icones Principum...) series
Medium
engraving
Measurements
24.1 × 19.1 cm (image) 27.4 × 20.1 cm (plate) 27.6 × 20.3 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Artwork Details
Catalogue/s Raisonné
New Hollstein 162 ii/iii (van Dyck); Mauquoy-Hendrickx 156 ii/iii; Hollstein 32 i/ii (Clouwet)
Edition
2nd of 3 states
Inscription
printed in ink l.l.: Ant. van Dÿck inuenit.
printed in ink l.r.: Petrus Cloüet ſculpsit.
printed in ink l.c.: THEODORVS ROGIERS / ANTVERPIENSIS, CÆLATOR IN ARGENTO.
Accession Number
286A-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Costume Portraits
Subjects (specific)
artists' portraits columns (architectural elements) half figures menswear Rasières, Théodore reproductive prints series (object groupings) silversmiths
Movements
Baroque