The artist, title and date of the work must be listed anywhere the image is reproduced:
Richard Collin
Bartolomé Esteban Murillo (after)
Bartolomé Esteban Murillo 1682
engraving
35.1 × 23.6 cm (image) 36.3 × 24.5 cm (plate) 41.7 × 29.9 cm irreg. (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Medium
engraving
Measurements
35.1 × 23.6 cm (image) 36.3 × 24.5 cm (plate) 41.7 × 29.9 cm irreg. (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
Hollstein IV, p. 217; LeBlanc 92
Inscription
printed in ink (in image) l.c.r.: Richard Collin Chalcographus Regis sculpsit Bruxellæ. An. 1682.
printed in ink (in image) l.c.l.: BARTHOLOMEUS MORILLUS HISPALENSIS / SE-IPSUM DEPINGENS PRO FILIORUM VOTIS AC PRECIBUS EXPLENDIS. / NICOLAUS OMAZURINUS ATNVERPIENSIS / Tanti VIRI simulacrum in Amiticiæ Symbolon / in as incidi Mandauit. Anno 1682.
Accession Number
423-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Costume Portraits
Subjects (specific)
artist painters draughtsmen (artists) half figures history painters Murillo, Bartolomé Estebán portraitists reproductive prints self-portraits
Movements
Baroque