The artist, title and date of the work must be listed anywhere the image is reproduced:
Jacob Louys (engraver)
Pieter Soutman (intermediary draughtsman and engraver)
Rogier van der Weyden (after)
Philip the Good (c. 1637)
etching and engraving
40.4 × 27.0 cm (image) 41.6 × 28.2 cm (plate) 43.7 × 30.0 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
etching and engraving
Measurements
40.4 × 27.0 cm (image) 41.6 × 28.2 cm (plate) 43.7 × 30.0 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Place/s of Execution
Haarlem, the Netherlands
Catalogue/s Raisonné
Barrett Pr-90 i/iii; Hollstein 10 (Louys)
Edition
1st of 3 states
Printing/Publishing
published by Pieter Soutman, Haarlem
Inscription
printed in ink (in image) l.c.: Philippús Dictús Bonús Dúx / Búrgúndiæ et Belgarúm Princeps / Potentissimús et Serenissimús / P. Soutman Effigiauit / et excud Cum Priuil Sa. Ca. M. / I. Louÿs Sculpxit
Accession Number
485-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Portraits
Subjects (specific)
cartouches (ornament) dukes festoon (motif) insignia pendant mantles (outerwear) nobles (aristocrats) patrons (philanthropists) Philip the Good, Duke of Burgundy
Movements
Baroque