Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Richard Gaywood (etcher)
Schelte Adamz à Bolswert (after)
Anthony van Dyck (after)
Mary Ruthven (c. 1650s)
etching
21.9 × 15.8 cm (image) 24.1 × 17.2 cm (sheet, trimmed within platemark)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Mary Ruthven
(c. 1650s)
Medium
etching
Measurements
21.9 × 15.8 cm (image) 24.1 × 17.2 cm (sheet, trimmed within platemark)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Artwork Details
Catalogue/s Raisonné
New Hollstein 86 (copy b) (van Dyck)
Edition
1st of 2 states
Printing/Publishing
published by Peter Stent, London
Inscription
printed in ink l.l.: Ant: van Dyck pinx:
printed in ink l.r.: R. Gaywood fecit
printed in ink l.c.: P Stent excud
printed in ink l.l.-l.r.: Maria Ruten nata in Anglia vxor Antonij van Dyck Pictoris
Accession Number
X331-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Portraits
Subjects (specific)
hairstyles half figures rosaries Ruthven, Mary three-quarter views wives women (female humans)
Movements
Baroque