The artist, title and date of the work must be listed anywhere the image is reproduced:
Pieter de Jode Ii (engraver)
Anthony van Dyck (after)
Marie de Medici (1651)
engraving
11.9 × 9.2 cm (image) (oval) 13.4 × 10.0 cm (plate) 13.8 × 10.5 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Medium
engraving
Measurements
11.9 × 9.2 cm (image) (oval) 13.4 × 10.0 cm (plate) 13.8 × 10.5 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Place/s of Execution
Antwerp, Flanders
Catalogue/s Raisonné
New Hollstein 238 i/iii (van Dyck); Hollstein 127 and 205-384 (Jode II)
Edition
1st of 3 states
Printing/Publishing
published by Pieter de Jode II, Antwerp
Inscription
printed in ink l.l.: Anton van Dyck pinxit
printed in ink l.r.: Petrus de Iode excudit
printed in ink l.c.: MARIA DE MEDICIS / Triúm Regúm Mater
Accession Number
X348A-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
dresses (garments) frames (ornament areas) Marie de Médicis oval (shape) queens (people) reproductive prints royalty (nobility) women (female humans)
Movements
Baroque