The artist, title and date of the work must be listed anywhere the image is reproduced:
Pieter de Jode Ii (engraver)
Anthony van Dyck (after)
Willem, Count of Nassau (1651)
engraving
15.5 × 11.2 cm (image) 15.8 × 11.6 cm (sheet, trimmed within platemark)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
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Medium
engraving
Measurements
15.5 × 11.2 cm (image) 15.8 × 11.6 cm (sheet, trimmed within platemark)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Place/s of Execution
Antwerp, Flanders
Catalogue/s Raisonné
Hollstein 170 and 205-384 (Jode II)
Printing/Publishing
published by Pieter de Jode II, Antwerp
Inscription
printed in ink l.l.: P. de Iode excud.
printed in ink l.c.: WILHEMVS COMES NASSOVIÆ, CATTIMELIBOCI, VIANDÆ, ETC / Legionis Germanicæ tribunus, Vrbis, arcis, ditionis heuſdanæ, / munimentorumqɜ (qɜ joined) ad Mosam Gubernator. &.
Accession Number
X350-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
armour (protective wear) batons (symbols or weapons) counts (noblemen) frames (ornament areas) men (male humans) nobles (aristocrats) reproductive prints vandykes (beards)
Movements
Baroque