The artist, title and date of the work must be listed anywhere the image is reproduced:
Pieter de Jode Ii (engraver)
Anthony van Dyck (after)
Amalia van Solms, Princess of Orange 1638; published (1651)
engraving
13.3 × 11.1 cm irreg. (image) 15.6 × 11.5 cm (plate) 16.2 × 12.3 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
engraving
Measurements
13.3 × 11.1 cm irreg. (image) 15.6 × 11.5 cm (plate) 16.2 × 12.3 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Place/s of Execution
Antwerp, Flanders
Catalogue/s Raisonné
New Hollstein 243 ii/ii (van Dyck); Hollstein 75 and 205-384 (Jode II)
Edition
2nd of 2 states
Printing/Publishing
published by Pieter de Jode II, Antwerp
Inscription
printed in ink l.l.: Ant. Van Dyck pinxit.
printed in ink l.r.: Pet. de Iode fecit. 1638
printed in ink l.c.: EMELIA, PAR LA GRACE DE DIEV PRINCES.E / D'ORENGE, COM.SE DE NASSAV, ETC. MAR.SE DE LA VERE / ET VLISSENGE, BARONNE DE BREDA, GRAVE ETC.
Accession Number
X351-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
dresses (garments) frames (ornament areas) oval (shape) pearl (animal material) princesses reproductive prints royalty (nobility) women (female humans)
Movements
Baroque