Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Pierre Lombart (engraver)
Anthony van Dyck (after)
Anna, Countess of Morton (c. 1660)
engraving
31.6 × 25.3 cm (image) 35.4 × 25.9 cm (plate) 35.6 × 26.0 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Anna, Countess of Morton
(c. 1660)
from The Countesses series
Medium
engraving
Measurements
31.6 × 25.3 cm (image) 35.4 × 25.9 cm (plate) 35.6 × 26.0 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Artwork Details
Catalogue/s Raisonné
New Hollstein 259
Edition
only state
Printing/Publishing
published by Pierre Lombart, Paris and London
Inscription
printed in ink l.l.: Antonius Van Dyck Eques pinxit
printed in ink l.r.: P. Lombart ſculpſit londini. auec Priuileige du Roy / et ex. parisis.
printed in ink l.c.: ANNA DE MORTON COMITISSA
Accession Number
X374-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Portraits
Subjects (specific)
countesses dresses (garments) flowers (plant components) frames (ornament areas) nobles (aristocrats) reproductive prints women (female humans)
Movements
Baroque