Terms and Conditions
The artist, title and date of the work must be listed anywhere the image is reproduced:
Balthasar Moncornet (engraver)
Anthony van Dyck (after)
Antoine de Bourbon, Count of Moret (1650)
engraving
13.9 × 11.0 cm (image) (oval) 16.3 × 11.4 cm (sheet, trimmed to platemark)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Antoine de Bourbon, Count of Moret
(1650)
Medium
engraving
Measurements
13.9 × 11.0 cm (image) (oval) 16.3 × 11.4 cm (sheet, trimmed to platemark)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Artwork Details
Place/s of Execution
Paris, France
Catalogue/s Raisonné
New Hollstein 328
Edition
1st of 2 states
Printing/Publishing
published by Balthasar Moncornet, Paris
Inscription
printed in ink l.l.: Antonius van dyck pinxit
printed in ink l.r.: Moncornet excudit.
printed in ink l.c.: ANTHOINNE DE BOVRBON CONTE (E in superscript above T) DE MORET / Conſeiller du Roy en ſes conſeil (n in superscript above o) Abbé de ſainct eſtienne / de Caen:
Accession Number
X380-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Portraits
Subjects (specific)
collars (neckwear) half figures men (male humans) nobles (aristocrats) oval (shape) reproductive prints
Movements
Baroque