The artist, title and date of the work must be listed anywhere the image is reproduced:
Bernard Picart (engraver)
Anthony van Dyck (after)
Charles I, King of England 1724
etching and engraving
17.8 × 14.5 cm (image) 20.0 × 14.5 cm (image and text) 21.2 × 15.9 cm (plate) 21.8 × 16.5 cm (sheet)
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Photo: National Gallery of Victoria, Melbourne
Where possible, the image must be reproduced in full (no cropping or over-printing). If you wish to use a detail of the work, a full reproduction of the work must also be reproduced elsewhere in the publication.
While the NGV believes this work to be in the Public Domain, it is the responsibility of the publisher to ensure that no further permissions are required for use.
For a complete list of terms and condition of use see the National Gallery of Victoria’s copyright policy.
Medium
etching and engraving
Measurements
17.8 × 14.5 cm (image) 20.0 × 14.5 cm (image and text) 21.2 × 15.9 cm (plate) 21.8 × 16.5 cm (sheet)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Catalogue/s Raisonné
LeB 525,W I 472 340
Edition
1 state
Inscription
printed in ink l.l.: van Dyck pinx.
printed in ink l.r.: B. Picart sculp. dir. 1724.
printed in ink l.c.: Charles Premier.
Accession Number
X386-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Another Work Law, Civics and Protest Portraits
Subjects (specific)
Charles I, King of England kings (people) mantles (outerwear) men (male humans) reproductive prints vandykes (beards) vandykes (collars)
Movements
Baroque