Terms and conditions of use
Peter Paul Rubens and Anthony van Dyck
(mid 17th century)
Medium
engraving
Measurements
32.1 × 44.7 cm (image) 35.3 × 44.8 cm (sheet, trimmed within platemark)
Credit Line
National Gallery of Victoria, Melbourne
Everard Studley Miller Bequest, 1959
Gallery location
Not on display
Artwork Details
Catalogue/s Raisonné
New Hollstein 430 ii/iii; Hollstein 123 (Pontius); Schneevoogt 161.51
Edition
2nd of 3 states
Inscription
printed in ink l.l.: Ant. van Dÿck facies pinxit
printed in ink l.c.: Eraſm. Quellinius delin
printed in ink l.r.: Paulus Pontius facies ſculpt.
printed in ink in emblematic frame around left sitter: PET. PAVL RVBENS EQVES PICTOR ANTVERPIENS.
printed in ink in emblematic frame around right sitter: ANTONIVS VAN DYCK EQVES PICTOR ANTVER.
printed in ink l.c.l.: Ecce RVBENS ſidus quo non fulgentius ullum / Illuxit Belgio Natura quod æmula fudit / Omnigena Virtute potens: ſic ille ferebat / Hofpes Athlantiadæ, Phœbi ſacræqs Minervæ
printed in ink l.c.r.: Nec non Belgarum Phœnix, Divinus Apelles / Corde fovens Charites infandâ DYCKIVS arte / Talis erat ſpecie barbartus an ipſe Cupido / An pius Arcitenens, pavide dubitastis amantes.
Accession Number
X394-5
Departments
International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest
Subjects (general)
Portraits
Subjects (specific)
artists (visual artists) artists' portraits double portraits Dyck, Anthony van frames (ornament areas) lion (species) putti (children) Rubens, Peter Paul
Movements
Baroque